Lilà
by RENALDO & CLARA
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1. |
Lilà
02:39
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Que poc em necessites
Casi arribes al meu nivell
Ja passo d’insistir-te en que fas bé
Floreix els dits d’entre els meus cabells
Encara que al principi
Tapaves les esquerdes amb arrels
Com més arreles
Més tros de mi arranques després
Que poc em necessites
Casi arribes al meu nivell
Ja passo d’insistir-te en que fas bé
Celebrem que m’hagis deixat encantada
Si algú altre floreix aviat
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2. |
D.
02:13
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No em cuidis tan bé
Que ja em fa prouta pena
Que el dia s’acabi així
Els arbres passen ràpid
Pel costat dels quilòmetres
Un menys cada senyal
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3. |
Al Final De Les Mans
02:28
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La barana on t’agafes fa formes de cors
Quan el ferro cremava, estaven roigs
Si el temps els va ennegrir
És el mínim que deus estar patint
Que fa anys que l’aire ens va resseguint
I no cal que ho diguis perquè t’ho hagi vist
Entre els barrots veig el que hi ha
Ungles afilades al final de les mans
Entre els barrots veig el que fas
Ungles afilades al final de les mans
La lluna per sobre la plaça Sant Joan
Igual de rodona que les llums de baix
Amb el teu cor aquí
Se m’empega lo negre de la nit
Entre els barrots veig el que hi ha
Ungles afilades al final de les mans
Entre els barrots veig el que fas
Ungles afilades al final de les mans
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4. |
La Mandra
02:23
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Instrumental
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about
FORMATS: 7" Single [Limited Edition 500 copies] [Orange Colour Vinyl] / Digital Single
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NEW ADVENTURES IN POP 021
Clara Viñals obsession with Bob Dylan is displayed loud and clear in the name she gave her group, and which the man from Duluth used as a title to a movie of his that worked as a collage filmed during the tour that followed “Blood on The Tracks” and “Desire”.
“Lilà” moves lazily between the roots that helped LE MANS’ “Saudade” blossom, with lines that hide scratches behind the sweetness of their caresses. “D.” insists on the more intimate musical facet of RENALDO & CLARA with bossa harmonies and bucolic evocations of emotional landscapes. “Al Final De Les Mans” introduces the drums and sharpens the rhythm with stylized pop, the elegance that characterizes their melodies, and biting lyrics like: “Entre els barrots veig el que hi ha / ungles afilades al final de les mans” (Between the bars I see what there is / Filed nails at the end of hands). To wrap things up “La Mandra” is an instrumental piece that proves the precious delicateness of this delicious song-writer who grew up on the shores of the Segre River, which fills her songs with naturalness and excitement, with that trumpet that owes so much to Burt Bacharach.
A limited-edition orange-color vinyl full of bravery and honesty, far from the previously known formulas, this is a single that displays it principle assets in a personal and unmistakable musical discourse that fills the songs and lyrics, giving shape to a crystal palace protected by an armor of dense vegetation: it seems fragile, but it could never be beat.
••••••••••••••••••••••••••••••••••••••••••••••••••••
NEW ADVENTURES IN POP 021
Clara Viñals obsession with Bob Dylan is displayed loud and clear in the name she gave her group, and which the man from Duluth used as a title to a movie of his that worked as a collage filmed during the tour that followed “Blood on The Tracks” and “Desire”.
“Lilà” moves lazily between the roots that helped LE MANS’ “Saudade” blossom, with lines that hide scratches behind the sweetness of their caresses. “D.” insists on the more intimate musical facet of RENALDO & CLARA with bossa harmonies and bucolic evocations of emotional landscapes. “Al Final De Les Mans” introduces the drums and sharpens the rhythm with stylized pop, the elegance that characterizes their melodies, and biting lyrics like: “Entre els barrots veig el que hi ha / ungles afilades al final de les mans” (Between the bars I see what there is / Filed nails at the end of hands). To wrap things up “La Mandra” is an instrumental piece that proves the precious delicateness of this delicious song-writer who grew up on the shores of the Segre River, which fills her songs with naturalness and excitement, with that trumpet that owes so much to Burt Bacharach.
A limited-edition orange-color vinyl full of bravery and honesty, far from the previously known formulas, this is a single that displays it principle assets in a personal and unmistakable musical discourse that fills the songs and lyrics, giving shape to a crystal palace protected by an armor of dense vegetation: it seems fragile, but it could never be beat.
credits
released May 21, 2012
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STAY TUNED ON:
Elefant Website: elefant.com
Elefant Concerts: elefant.com/concerts
Subscribe to Elefant newsletter [Spanish]: elefant.com/es/lista_correo
Subscribe to Elefant newsletter [English]: elefant.com/en/lista_correo
YouTube: youtube.com/elefantrecords
Instagram: instagram.com/elefant_records/
Facebook: facebook.com/elefantrecordsfans
Twitter: twitter.com/elefantrecords
••••••••••••••••••••••••••••••••••••••••••••••••••••
••••••••••••••••••••••••••••••••••••••••••••••••••••
STAY TUNED ON:
Elefant Website: elefant.com
Elefant Concerts: elefant.com/concerts
Subscribe to Elefant newsletter [Spanish]: elefant.com/es/lista_correo
Subscribe to Elefant newsletter [English]: elefant.com/en/lista_correo
YouTube: youtube.com/elefantrecords
Instagram: instagram.com/elefant_records/
Facebook: facebook.com/elefantrecordsfans
Twitter: twitter.com/elefantrecords
••••••••••••••••••••••••••••••••••••••••••••••••••••
license
all rights reserved
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NEW ADVENTURES IN POP - Collection Madrid, Spain
discography
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Sep 2022 -
Aug 2022 -
Jan 2022 -
Sep 2021
contact / help
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